Difference between revisions of "Exercises from Composing Music: A New Approach/Chapter 1: The Cell, The Row, and Some Scales"
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== Exercise 1 == | == Exercise 1 == | ||
[https://musescore.com/user/29710706/scores/5243406 I Hang Up My Harp] | '''Result:''' [https://musescore.com/user/29710706/scores/5243406 I Hang Up My Harp] | ||
'''Exercise concept:''' Pitch limitation, using a restricted set of tones for a composition. This will be the basis for many exercises. | |||
'''Rules:''' | |||
# Compose a melody. Use only the tones E4, G4, A4, and B4. | |||
# Use 5/4 meter and only the rhythm quarter, quarter, quarter, half. | |||
# Choose measures to use more than once, either separated or adjacently. This will unify and shape the melody. | |||
# Omit one or more tones in some measures. Study the melodic relationships between all the tones. | |||
'''Title concept:''' Russo gives this exercise a backstory. Your captor, Edrevol, ruler of the Lorac, will let you live if you write a melody for the Imperial Flute that pleases him. The flute can only play the four tones of the exercise. | |||
'''Observations:''' | |||
== Exercise 2 == | == Exercise 2 == | ||
[https://musescore.com/user/29710706/scores/5243409 Dance, Lydia!] | '''Result:''' [https://musescore.com/user/29710706/scores/5243409 Dance, Lydia!] | ||
'''Exercise concept:''' The cell, a limited set of pitches, available in every octave. | |||
'''Rules:''' | |||
# Compose a melody. Use only the tones F, A, B, and C, in any octave. | |||
# Use 4/4 meter and only these rhythms: (a) four eights, two quarters; (b) two quarters, two eighths, quarter. | |||
# Use some measures more than once. | |||
'''Title concept:''' | |||
'''Observations:''' | |||
== Exercise 3 == | == Exercise 3 == | ||
[https://musescore.com/user/29710706/scores/5243411 March of the Marmots] | '''Result:''' [https://musescore.com/user/29710706/scores/5243411 March of the Marmots] | ||
'''Exercise concept:''' The row, a strict sequence of a limited set of pitches, available in every octave. Each pitch may be repeated one or more times before the next pitch in the sequence. | |||
'''Rules:''' | |||
# Compose a melody of 6 to 10 measures. Use the sequence D, A, F, E, C, in any octave. | |||
# Use 4/4 and only these rhythms: (a) quarter, two eighths, half; (b) quarter rest, three quarters. | |||
# Near each note, write its number in the sequence. | |||
'''Title concept:''' | |||
'''Observations:''' | |||
== Exercise 4 == | == Exercise 4 == | ||
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== Exercise 5 == | == Exercise 5 == | ||
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== Exercise 6 == | == Exercise 6 == | ||
'''Result:''' | |||
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== Exercise 7 == | == Exercise 7 == | ||
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== Exercise 8 == | == Exercise 8 == | ||
[[Category: | '''Result:''' | ||
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[[Category:Music]] | |||
[[Category:Lists]] | [[Category:Lists]] | ||
[[Category:Developing]] | [[Category:Developing]] |
Revision as of 13:09, 30 September 2018
Exercise 1
Result: I Hang Up My Harp
Exercise concept: Pitch limitation, using a restricted set of tones for a composition. This will be the basis for many exercises.
Rules:
- Compose a melody. Use only the tones E4, G4, A4, and B4.
- Use 5/4 meter and only the rhythm quarter, quarter, quarter, half.
- Choose measures to use more than once, either separated or adjacently. This will unify and shape the melody.
- Omit one or more tones in some measures. Study the melodic relationships between all the tones.
Title concept: Russo gives this exercise a backstory. Your captor, Edrevol, ruler of the Lorac, will let you live if you write a melody for the Imperial Flute that pleases him. The flute can only play the four tones of the exercise.
Observations:
Exercise 2
Result: Dance, Lydia!
Exercise concept: The cell, a limited set of pitches, available in every octave.
Rules:
- Compose a melody. Use only the tones F, A, B, and C, in any octave.
- Use 4/4 meter and only these rhythms: (a) four eights, two quarters; (b) two quarters, two eighths, quarter.
- Use some measures more than once.
Title concept:
Observations:
Exercise 3
Result: March of the Marmots
Exercise concept: The row, a strict sequence of a limited set of pitches, available in every octave. Each pitch may be repeated one or more times before the next pitch in the sequence.
Rules:
- Compose a melody of 6 to 10 measures. Use the sequence D, A, F, E, C, in any octave.
- Use 4/4 and only these rhythms: (a) quarter, two eighths, half; (b) quarter rest, three quarters.
- Near each note, write its number in the sequence.
Title concept:
Observations:
Exercise 4
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Exercise 5
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Exercise 6
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Exercise 7
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Exercise 8
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